keskiviikko 19. maaliskuuta 2014

C. 1800 robe à l'Athénienne

Although neoclassical styles were a norm during the Directory and Consulate eras, the dresses that took the classical ideal to the extreme was a fashion phenomena among only very few privileged French ladies. As I'm not tied to any re-enactment group or persona, I felt curious about experimenting with that extreme. To those not very familiar with the high waisted era, I'd like to emphasize that this would not be a suitable outfit for most historic events, like a Jane Austen Ball for example. And if you are not sure about the dress code, I would strongly recommend wearing a shift, stays, stockings and shoes with the rest of your outfit. But if you are not bound by any dress code, this style will make up as a most delightfully comfortable little white dress. 

The dress is made of thin cotton muslin. The lining is made of linen and it's completely hand sewn with linen thread. I'm wearing it over only a high waisted cotton lawn petticoat with shoulder straps, also hand sewn with linen. It's accessorized with greek style leather sandals and a shawl with painted borders at both ends. I achieved the length by joining two shawls like Jen did in her regency shawl post.


















The dress without the shawl.










Construction:

I looked through a bunch of portraits of ladies dressed in the Merveilleuse style when I was deciding the design. Eventually this portrait became the main inspiration for the bodice and sleeves:

David, Jacques-Louis, Portrait of a Young Woman in White c. 1798



And Juliette Récamier the inspiration for a slimmer skirt.

François Pascal Simon Gérard, Portrait of Madame Récamier, 1802


For patterning, I used the c. 1798-1805 morning dress in Patterns of Fashion as main source. I sewed the bodice lining together first and then mounted corresponding cotton pieces on top and back stitched them down from the right side.



The skirts seams were sewn together leaving them open from the top to allow the bib front to fall open. The center back is cartridge pleated and then the skirts whip stitched to the bodice and to a waist tape in front. 


Then I made the v-neck front piece and attached it to the waist tape as well. The bodice closes with hooks and eyes and then the bib front is pinned to the shoulder straps after the waist tape ends are tied together in front.



18 kommenttia:

  1. Wow! You look like real "la merveilleuse"! I really love this dress, it's simply, but wonderful! Juliette Recamier would be jealous :)

    VastaaPoista
    Vastaukset
    1. Thank you very much! I like these styles a lot myself. Even if it's so simple, it's also quite scandalous. :)

      Poista
  2. STELLAR!!!
    Sorry, I ran out of words, because of your awesomenesssss :)

    Sabine

    VastaaPoista
  3. i am purely loving your newest creation. In simplicity lies the ultimate sophistication. Thank you for sharing this!

    VastaaPoista
  4. Whee! I love it!! You look like a picture; I was reminded of the Mme Recamier portrait right away when I saw the very first photo. There's a good reason why dark-haired ladies always manage to look spectacular in white gowns! I really hope you make more Merveilleuse and Regency costumes in the future!

    VastaaPoista
  5. You look so beautiful, oh my god:) And i love the look of the bodice front.

    VastaaPoista
  6. That is an amazingly beautiful dress! Thank you for sharing it.

    VastaaPoista
  7. Wow, this is stunning. I just love the first photo of you in the dress with the shawl, it looks like a painting. Very lovely <3

    VastaaPoista
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    VastaaPoista
  9. This gown is exquisite. I love to see that it's a bib-front, and the tiny back is so beautiful.

    VastaaPoista
  10. To wear that it'd be worth being a one of the privileged French ladies; gorgeous!

    VastaaPoista